A refined, hyper-realistic reinterpretation of the iconic late-1980s Exclamation! perfume advertisement. This piece merges luxury materials, precise realism, and pop art heritage into a striking contemporary artwork.
Hand-applied gold leaf creates a radiant, textured backdrop, while the composition is presented in an ornate, gallery-quality frame that heightens its vintage glamour and collectible appeal. The result is a bold yet elegant statement piece—ideal for curated interiors and serious pop art collectors.
Details:
– Hyper-realistic pop art rendering
– Genuine gold leaf background
– Ornate premium frame included
– Archival, museum-grade materials
– Limited availability
A sophisticated fusion of 1980s nostalgia and modern fine-art craftsmanship, designed to stand as a centerpiece in any elevated collection.
This modern watercolor is painted on Arches 300# cold pressed paper mounted on a board and varnished so it does not need to be under glass…bonus…she comes FRAMED.
Colors may vary on individual screens.
A refined, hyper-realistic reinterpretation of the iconic late-1980s Exclamation! perfume advertisement. This piece merges luxury materials, precise realism, and pop art heritage into a striking contemporary artwork.
Hand-applied gold leaf creates a radiant, textured backdrop, while the composition is presented in an ornate, gallery-quality frame that heightens its vintage glamour and collectible appeal. The result is a bold yet elegant statement piece—ideal for curated interiors and serious pop art collectors.
Details:
– Hyper-realistic pop art rendering
– Genuine gold leaf background
– Ornate premium frame included
– Archival, museum-grade materials
– Limited availability
A sophisticated fusion of 1980s nostalgia and modern fine-art craftsmanship, designed to stand as a centerpiece in any elevated collection.
This modern watercolor is painted on Arches 300# cold pressed paper mounted on a board and varnished so it does not need to be under glass…bonus…she comes FRAMED.
Colors may vary on individual screens.
